It’s here! The first update to Amped Replay and we couldn’t be more excited to share with you the new features!
Amped Replay is a universal player and converter for proprietary and standard video files, with basic enhancement, annotation and redaction functions, designed to be used by everyone from those on the immediate frontline of law enforcement to the more intermediate lab workers ‘behind-the-scenes’. Our work didn’t stop following the launch this past March, and we have had nothing but praise from police officers around the world who have been seeing the benefits of Replay in their case workflows.
Let’s not delay any further and take a look at what’s new!
We’re back with another massive update to Amped FIVE and this time we’re super excited to be introducing a brand new tool!
Copy and Verify
One of the core principles of working with digital data in a forensic capacity is ensuring that data remains unchanged during investigation and analysis. At Amped Software, one of our core values is that all of our products are forensically sound. Steps we take to ensure this include using only filters to apply enhancements, generating detailed reports providing the ability to reproduce and audit analyst actions and making sure the original file remains untouched during an import or conversion.
We’re here with another update for Amped DVRConv, one of the fastest ways to cleanly convert multiple video files.
Amped DVRConv remains one of the top go-to tools for practitioners who need to convert video quickly, cleanly and easily. It’s my first choice when I have a large amount of video files that I need playable – I simply drag and drop my files into Amped DVRConv and it does the work for me in the background, while I am free to work on other processing!
It’s also great if you are out in the field and need to convert video on the go, ready for when you return to the lab for input into Amped FIVE or to pass onto colleagues or other agencies. The great thing is, the original files are always preserved and log files created with each conversion, meaning your original video evidence is always kept secure.
We know how many different standard and proprietary video formats are out there and how frustrating it can be to come across a new format that you just can’t seem to do anything with.
For this reason, we are constantly working to add support for more formats that you send to us and in this update, we’ve done just that!
With the new year comes a new update to Amped FIVE with some exciting new features and a couple of brand new filters!
If one of your regular tasks is producing video for presentation purposes, you’ll be excited to know that there is now the option in Amped FIVE to combine multiple video chains together in our new Timeline filter, found under the Link group of filters.
Did you know the Amped FIVE interface can be customized to fit your preferences? Perhaps you have two monitors and want to adjust the panels, or prefer a darker application theme? No problem!
My personal preference is to use this layout, with the “darker” theme, as I tend to use only one monitor when using FIVE, but if you do want to re-organize the interface so it is more suited to your work style, each of the panels within the user interface can be moved or hidden from view.
The festive season is right around the corner and this is one of our busiest times of the year! Despite this, we’re here with another update to Amped Authenticate just in time for the holidays!
While we’ve included the ability to generate batch processing reports for a while, we’re now introducing an exciting new reporting method designed to make it quicker and easier to report relevant filters.
Yes, you heard correctly – we’re here with yet another update! We’ve added some highly sought-after features to Amped DVRConv, the fastest and easiest way to convert proprietary video formats.
Settings Lock Down Option
Sometimes system administrators need to lock down the settings of Amped DVRConv in order to avoid having users modify the settings accidentally, which could disrupt the workflow of the lab; for example setting a conversion to transcode instead of stream copy. Now it is possible to protect these settings, allowing only system administrators to modify them!
In our latest update to Amped FIVE, you’ll find two new filters that work together to stabilize and enhance video with an object that has some change in perspective as it moves: Perspective Stabilization and Perspective Super Resolution.
Let’s take a look at how they work!
You can also watch the two filters in action in our latest video found here:
The festive season is on its way, but Team Amped are here with an early gift! We have another update to Amped FIVE and this time it’s huge!
Perspective Stabilization and Perspective Super Resolution
We’ve now created two new filters that work together to stabilize and enhance video that includes an object with a change in perspective as it moves. The most common scenario for this is the need to enhance the license plate of a moving car filmed by a static CCTV. While it has been possible to correct perspective issues since early versions of Amped FIVE using Perspective Registration, this could often be very time consuming and not always easy. With the Perspective Stabilization this step has now been basically automated. Of course, Perspective Registration is still there for you for the extra-difficult cases and for manual selection.
We’ve dedicated an entire post to Perspective Stabilization and Perspective Super Resolution which will be published in the next few days.
Another new filter! Replace Channel replaces one color channel with another. It’s found under the Channels filter set.
Replace Channel converts the image into another selected color space and replaces one of the channels with another. Let’s take this image, for instance: