Video Evidence Comparison with Amped FIVE’s Video Mixer

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video evidence comparison with Amped FIVE's Video Mixer

Dear loyal summer readers welcome to this week’s tip! As investigators, one of the questions we should always ask ourselves is: “Am I using the best possible evidence?”. This is vital to ensure that we can interpret the native data correctly and have the best chance to obtain visual information after any restoration and/or enhancement process. Today we’ll explore how video evidence comparison with Amped FIVE can greatly help you evaluate two videos at the visual level to understand whether they’re identical or determine the extent of their differences. Keep reading!

Why Video Evidence Comparison Matters

The “best evidence” issue returns quite often in video forensics. The challenge is that we have multiple versions of the same thing: which one is the native, and if there are differences, why? These playback inconsistencies are a perfect example of why video evidence comparison with Amped FIVE is essential. It allows investigators to uncover discrepancies that players may hide or distort.

The easiest change to see is when a player automatically “line doubles” the footage. You see a normal-looking video inside the proprietary player. This player produces an AVI which is ‘smoothed’ to remove any artifacts caused by the line doubling so the human eye likes this better! However, in Amped FIVE you see a squished-looking video. We explained the reason behind this in a past tip. However, in a nutshell: contrary to consumers and many proprietary players, Amped FIVE does not apply automated, undocumented enhancements. It leaves the power to the user.

The difficult changes are when you cannot easily see the difference. Perhaps there is an encoding difference. You may have to decide what method is best to recover footage. As a result, you need to conduct some tests.  You may have a version from the USB output and then a version recovered over a web interface. Are they the same? You may be reviewing a case conducted by another person and they have used screenshots of the player’s output and not the original. Are there differences, and how much are those differences? All of these questions and many more can be answered using Amped FIVE’s Video Mixer.

Amped FIVE software interface showing the Filters panel with Video Mixer selected under the Link category; description explains the tool overlays or displays two video streams side by side for synchronization and similarity analysis

How the Amped FIVE Video Mixer Works for Video Evidence Comparison

As explained in the brief filter description in the image above, the Video Mixer is designed to compare, side by side, or with several overlay options, two different videos/images. Let’s see how it works with a first, easy case. We’re given two versions of this video, having different containers, largely different sizes. We need to determine whether one is at a higher quality than the other or if they’re comparable.

Screenshot showing two video files with the same duration of 9 seconds: "version 1.mp4" with a file size of 20,564 KB and "version 2.mkv" with a significantly larger file size of 896,233 KB, highlighting differences in video compression and format

We drag both videos in Amped FIVE, and they’re automatically loaded in two different chains. Then, we can name the two chains like the corresponding video files for easy referencing. Then, we head to the Link filter category and select Video Mixer. Here is what appears on the Filter Settings panel:

Video Mixer filter settings window in Amped FIVE showing configuration for comparing two video sources. "First Input" is set to "Version 1 - Video Loader - 1" and "Second Input" to "Version 2 - Video Loader - 2", with "Video to Seek" option selected as "Both"

We see that we can choose which chain should be used as first and second inputs. In our case, we only have two chains with a Video Loader each, so there’s not much to choose from. The “Video to Seek” menu determines how frames are advanced during playback. This is a crucial detail for precise video evidence comparison with Amped FIVE, especially when syncing footage that’s slightly out of alignment. It is a simple way to synch two videos that are off by a fixed delay. You can refer to this past tip to get a hint about time syncing.

Let’s now take a look at the Blend panel:

Screenshot of Video Mixer filter settings in Amped FIVE showing "Side-by-Side Horizontally" mode with output size set to "First Input", output mode as "Pad / Crop", and interpolation set to "Bicubic". Additional controls include balance, gain, line color, and line thickness adjustment.

These options determine how the two videos should be arranged spatially. The default is Side-by-Side Horizontally, which produces quite an intuitive output:

Screenshot of Video Mixer filter in Amped FIVE in use for forensic video analysis, displaying side-by-side comparison of two video versions featuring retail store shelves. Interface shows comparison tab with filter settings including mode, output size, output mode, interpolation, balance, gain, and line customization. History panel tracks Video Loader and Video Mixer filter activity.

There are many other blending options available in the Mode menu, among which you find several ways of computing the visual difference between frames of the videos:

Dropdown menu in Video Mixer filter settings in Amped FIVE showing video comparison display Mode options, including side-by-side horizontally or vertically, overlay, only first or second input, absolute and directional differences, maximum, and minimum modes

The Output Size, Output Mode, and Interpolation are used when the two input videos have different sizes. How should Amped FIVE make them comparable? You can choose among several combinations. When your goal is to compare video quality, I would normally use the following settings:

Screenshot of Blend tab within Video Mixer filter settings in Amped FIVE displaying blend options, including Mode set to "Side-by-Side Horizontally", Output Size as "Maximum Width and Height", Output Mode as "Resize with Aspect Ratio", and Interpolation method as "Bicubic" with adjustable balance and gain sliders

However, if the question is “which is the best evidence?”, the answer is always “the video at the native resolution”. We don’t want a higher resolution or better-looking video that is so because it has been enlarged/enhanced by the player. We want the actual recorded pixels. Therefore, if your videos have different resolutions, try to investigate which is the native one in your case, and go with that one.

Measuring Video Similarity: Tools and Metrics

Okay, we’re ready to go to the Similarity tab. A similarity index between two videos tells how much they are similar/different according to some objective criterion. For example, SAD stands for “Sum of Absolute Differences”. The two frames are subtracted pixel-by-pixel and the absolute value is taken. Then the whole difference frame is averaged to get a single value. (Side note: the absolute value is needed so as to avoid that positive pixel differences and negative pixel differences, which are “equally bad”, compensate each other when adding them up). So smaller SAD values mean more similar videos.

The PSNR (Peak Signal-to-Noise Ratio) is a bit more of a technical measurement, well explained in Wikipedia, where higher values mean more similar videos. The MSSIM is the average value of the “Structural Similarity Index, which aims to measure objectively way the perceptual similarity between frames, rather than the numerical similarity. It ranges from 0 to 1, and values closer to 1 mean higher fidelity. Finally, the Correlation computes the “Pearson Correlation Coefficient” between the two videos (you can read its definition here).

You’ll notice that computation of similarity metrics is disabled by default. That’s to avoid wasting processing time when you don’t need them.

Screenshot of Similarity tab under Video Mixer filter settings in Amped FIVE, showing "Compute Similarity Metrics" option as "Disabled", including SAD, PSNR, MSSIM, and Correlation, with a note recommending disabling metrics to enhance processing speed

Once you enable them, you’ll see the updated similarity scores as you move from frame to frame. In our example above, this is what we get for the first frame of both videos:

Screenshot of Similarity tab under Video Mixer filter settings in Amped FIVE displaying "Compute Similarity Metrics" option as "Enabled", and values for SAD, PSNR, MSSIM (1.0000), and Correlation (1), indicating identical video frames

The above values indicate that the two frames are just identical, in which case you may also check that the hash values of their pixels are identical (as explained in this past tip!). Notice that, in this special case, PSNR reads “0” to signify it cannot be computed (because there is no difference at all between the inputs).

Similarity values are computed on a frame-by-frame basis. So you have to advance in the video to see whether all frames are actually the same. In our example, this happens to be the case. So, despite their difference in container and file size, these two videos have the very same pixels.

Now, let’s compare this video with another version of it, obtained by uploading and downloading from YouTube. Although videos are visually very similar, the Similarity tab highlights differences that may not be apparent without tools that let you compare video evidence frame by frame.

Amped FIVE interface displaying Video Mixer comparison between two video versions using side-by-side view, showing similarity metrics with SAD 3.2160, PSNR 34.5451 dB, MSSIM 0.9678, and Correlation 0.9977

How much is that? Well, a SAD value of 3 is not tiny (we normally call “almost visually lossless” a video with SAD of 1 or lower), and a PSNR valued 34.5 is lower than what we’d like to have. However, we can still claim the quality is definitely comparable. To check this visually, we may add a Crop filter to both chains and tell the Video Mixer to compare chains at the crop position:

Amped FIVE software interface comparing cropped versions of two video inputs using the Video Mixer filter, showing side-by-side frames of a legal book titled "Codice Civile Legislazione Complementare e Notarile" from "Version 1" and "YouTube version". History panel highlights applied Crop filters and comparison setup

Choosing the Best Footage for Your Case

Let’s now transmit Version 1 via WhatsApp, and then load the shared version. Using the Video Mixer, we already notice that resolutions are different, the video has been downscaled as part of the sharing process!

Amped FIVE software interface showing a side-by-side comparison of a high-quality original video frame and a compressed WhatsApp version using the Video Mixer filter. The visual difference in resolution is displayed, with the Video Mixer settings panel open and active filters visible in the history panel.

Using the Blend tab in the Filter Settings, you can resize the smaller video to match the reference resolution. A necessary step for clear and consistent video evidence comparison with Amped FIVE after compression from platforms like WhatsApp.

Amped FIVE interface showing side-by-side video comparison of original and WhatsApp-compressed footage using the Video Mixer filter. Settings panel displays configuration options such as Mode, Output Size, Output Mode, and Interpolation

After enabling the similarity metrics computation, we see scary numbers:

Screenshot of Similarity tab under Video Mixer filter settings in Amped FIVE displaying similarity metrics: SAD, PSNR, MSSIM, and Correlation. These comparison values quantify visual differences between two inputs.

These values indicate a severe degradation in quality. We can use the same cropping test as before to get a confirmation:

Side-by-side comparison of two video frames showing a book cover with the title "Codice Civile Legislazione Complementare e Notarie"; the left version appears sharper and more legible, while the right version is blurred, highlighting differences in video quality or compression levels

Conclusion

If you face a situation like the one above, it means a lot of information was lost passing from the left-hand video to the right-hand video! In forensic video analysis, small differences can significantly impact interpretations. So, reliable video evidence comparison with Amped FIVE becomes essential for ensuring justice through objective, technical analysis.

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